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After a brief tuning up by the orchestra, conductor Alan Gilbert who is the first native New Yorker to lead the Philharmonic, made his entrance to an ovation by the crowd before the orchestra began "The Fountains of Rome", written by Ottorino Respighi in as part of his Roman Trilogy.
The four interlinked movements of this piece flow seamlessly from dawn to dusk and the opening featured mournful solos by cellist Carter Brey and oboist Liang Wang, Liang Wang's oboe solo and throughout the piece proved to be a delight to the ears. The melody during this first movement seems to dance between light and dark tones.
The powerful sounds from the horns section took over as the movement from morning to midday took place and while the tempo and rhythm started fast and high, it evened out to a pleasant midpoint throughout the movement until the culmination that again was lead by the horns into a powerful climax accompanied by the entire orchestra.
The third movement depicting twilight featured a beautiful solo by Concertmaster Glenn Dicterow with wonderful accompaniment by the orchestra until the Music Timothy Sweeney Classical Concert Review music fades as twilight has fallen and the quiet of dusk settles over the fountains of Rome.
The next five pieces featured violin solos by Itzhak Perlman with accompaniment by the Philharmonic orchestra. Itzhak Perlman contracted polio at the age of four, was born in Israel and is widely regarded as one of the preeminent violinists of the 20th and early 21st century. Itzhak Perlman, making his 82nd appearance with the New York Philharmonic walked onto the stage with the help of his crutches accompanied by composer Alan Gilbert to a wonderful round of applause from the audience.
Itzhak entrusted Alan Gilbert with carrying his antique Soil Stradivarius violin offormerly owned by Yehudi Menuhin and considered one of the finest violins made during Stradivari's "golden period.
The tone and melody were beautiful throughout the piece, and the last and highest note hit a sweet spot not usually heard from an instrument.
The third piece of Perlman's solos was "Scherzo from Souvenir d'un lieu cher,Op.
The fourth piece was "Theme from Schindler's List" written by John Williams and at his request Itzhak Perlman had preformed the theme for the soundtrack which was also dedicated to the Israeli born Perlman and won a Oscar for Best Original Score in The melody of this piece was hauntingly beautiful and when watching Perlman face as he preformed it, you had a hard time Music Timothy Sweeney Classical Concert Review distinguishing when the man stopped and the violin began, as they seemed to become one and was very beautiful to watch and hear.
The piece started out beautifully and the tone and melody were pleasing to listen. During the middle movement when the tempo increases, the violin play of Perlman again started to sound harsh on some notes, but as the piece continued, the tone and melody again became sublime to hear.
The play of Perlman during the finale was where the maestro's virtuosity shown as his fingers seemed to fly over the strings. Itzhak Perlman received a standing ovation and cheer from the crowd for quite a period of time and after a couple bows, Perlman thanked conductor Alan Gilbert and invited the entire orchestra to stand and take a bow with him to wild cheers and applause from the audience that was moving to see.
The final piece of the night was "Pines of Rome" written by Ottorino Respighi and is another symphonic poem and the second piece of Respighi's Roman trilogy, this time the four interlinked movements within this piece represent pine trees in different location in Rome at different times of the day.
The opening 'Pines of Villa Borghese' highlighted the magnificent sounds of the percussion and brass along with the precision of the strings.
The second movement 'Catacomb' began with warm tones in a quasi-Gregorian chant that built in intensity. In the third movement 'Pines of Janiculum', the warmth from violist Cynthia Phelps balanced Dicterow's pleasing light tone and this movement featured a recording of a nightingale singing which was beautiful to hear with the orchestral accompaniment.
The last movement began with a dark, low tempo, which portrays the arrival of Roman Legions appearing from the mist. The English horn solo during this movement had a wonderful tone and the ending proved to be majestic with brass playing in the balcony and the strings capturing the music's energy and was remarkable to hear and see.
The orchestra and conductor received a standing ovation and Alan Gilbert recognized Music Timothy Sweeney Classical Concert Review the clarinet soloist before having the whole orchestra join in taking a bow after this wonderful performance.
Watching this concert was quite magical, from the beginning sounds to the thunderous finale, it invoked a wide range of feelings and emotions and appreciation for the beauty of sound in me.
CONCERT REVIEW OUTLINE AND GUIDELINES Outline format and guidelines for required Applied Music student concert reviews. HOUSTON COMMUNITY COLLEGE SYSTEM. COMMERCIAL MUSIC PROGRAMS WRITE YOUR REVIEW IN PROSE, LIKE A MAGAZINE, NEWSPAPER, OR ONLINE REVIEW. Yes - Atlantic C (Very Good / Great) Best song: Looking Around In the beginning. Yes started out as a conversation between Anderson and self-taught bassist Chris Squire at a bar where Anderson was essentially the janitor. Skip To Content. Dashboard. Login.
I had never had the chance to attend a classical concert before this and was pleasantly surprised at how much I enjoyed watching and listening to this concert. If you turn of the stigmata of the words "classical music" and just listen and enjoy the beauty of the music, I think there are many people who would be surprised at how much they enjoy this music as well.Music Appreciation Radio Report Instead of attending a concert and writing a concert report, I decided to do the radio report.
On April 24, , I listened to the station WWOZ FM from seven to eight p.m. Free music appreciation papers, essays, and research papers. My Account. Your search returned over Fall Choir Concert Appreciation also requires mastering a set of crucial skills.
One such example is musical literacy, which is the ability to read, write, or appreciate music. Musical literacy is not all that different from the verbal. the concert was held earlier in the day, or extremely late at night, be sure to mention that. 2. Description. The main body of the concert review should include brief discussions of each piece played during the concert you attended.
Do not quote the program notes: you . Oct 18, · Get access to Music Concert Review Essays only from Anti Essays. My Account; Help; Contact Us; Welcome.
Anti Essays offers essay examples to help students with their essay writing. Our collection includes thousands of sample research papers so you can find almost any essay you want. Music Appreciation Concert Review concert . 8/ The Legacy Of Progressive Rock. "The Raven That Refused To Sing (and Other Stories)", released in , is the third album by Progressive Rock artist Steven Wilson, most poplar for being the frontman of Porcupine Tree, esily one of the best Prog Rock acts of the last twenty years or so.
Oct 18, · Music Concert Review Symphony of Winds and Percussion This was my first time attending classical musical concert like the postcards, it wasnt bad at all and I really enjoyed it. The.